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White ceramic hand. Made by mould casting in earthenware, fired at 1050º. Decorative piece to hang on the wall or to place on a surface. The mould is taken from a real hand, hence the amount of detail and realism. It can be easily hung by hooking it to the head of a screw through the opening at the back of the piece. If you want to personalize it with a drawing, phrase... do not hesitate to contact us. Because they are handmade, they are unique pieces, so there may be slight variations between them. Measurements: 13 x 20 cm; h: 8 cm. -
This ceramic bowl has an irregular rim with the interior finished in cream color and the exterior in dark matte gray. A modern and unique piece where the rim has beautiful stains in shades of green, gray and ocher due to the variation of the thickness of the glaze. It is lathe made in stoneware. It is dishwasher and microwave safe and suitable for food use. Because they are handmade, they are unique pieces, so they can present variations among them. Measurements: 14 x 7 cm * Minimum order: 2 units. -
Ceramic bowl in off-white, made in stoneware from a cast taken from an original piece produced on a potter's wheel and handbuildt. Fired at 1260º. The bowl is not perfectly round but irregular. This manatee is not just any manatee, but belongs to the Manatee Beatum species, which takes care of the ocean floor. He is one of the characters of my marine dream world, known as Dreamlike Ichthyology. You can learn more about him in the Animalarium section. Because they are handmade, they are unique pieces, so they can have slight variations between them. They are made in a resistant material that allows their use in dishwasher and microwave, always being careful with the most delicate parts. Measurements: Ø: 15 cm; h: 10 cm. * Minimum order: 2 units.Return policy
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This handmade plate is inspired by the dry fields of Malaga in summer. It has an irregular edge and a brush-applied earth-coloured finish, which makes this piece almost look like a canvas on which to serve food. In light, warm tones, it is a designer ceramic plate that goes well with very different colours: whites, browns, greens, blues... It is made with a stoneware plate and wheel (clay fired at 1260º). It is dishwasher and microwave safe and food safe. As they are handmade, they are unique pieces, so there will be variations between them. Measurements: 25 x 2 cm * Minimum order: 2 units. -
Winged ceramic sneaker in white. You can use it as a vase. Named after the Greek messenger god Hermes. It is made from several casts, one for each wing (which has been previously handbuildt) and another one for the sneaker, taken from a real one, which is why it has so many details and texture. The clay used is earthenware, fired at 1050º. If you want to personalize it with a drawing, phrase... do not hesitate to contact us. Because they are handmade, they are unique pieces, so they may have slight variations between them. Measurements: 28 x 9 cm; h: 14 cm.Return policy
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L-shaped tungsten carbide ceramic trimming tool. Tool with tungsten head and hand-turned wooden handle with brass ferrule. The open L-shape is very convenient to use for both curved and straight shapes. Tungsten is a very good abrasion resistant material that holds its edge much longer than conventional steel tools. Tired of the trimming tools wearing out after a few days of use, we decided to look for another solution and came across this material. After using them for a few months in the workshop, they are still sharp. The handle is made of various types of wood, but mainly olive wood. It is comfortable and simple. Tungsten is a hard but fragile material, so it is necessary to avoid falls and blows, as they can break. Dimensions: 18x2cm and 2.5cm long head. -
Closed head tungsten carbide ceramic trimming tool. Tool with tungsten head and hand-turned wooden handle with brass ferrule. The closed shape with curves makes it easier to use on straight surfaces and leaves no marks. The wider curved area allows you to remove more clay at once and then use the flat part to make the piece smooth. Tungsten is a very good abrasion resistant material as it holds its edge much longer than conventional steel tools. Tired of the trimming tools wearing out after a few days of use, we decided to look for another solution and came across this material. After using them for a few months, they are still sharp. We are very happy with the result. The handle is made of various types of wood, but mainly olive wood. It is comfortable and simple. Tungsten is a hard but fragile material, so avoid drops and bumps, as they can break. Dimensions: 18x2cm and 3.9cm long head -
Handcrafted ceramic oil cruet with a simple and elegant bottle shape and white finish. It has a design that goes well in any type of kitchen, and a good size to hold it comfortably in your hand. This olive oil cruet is perfect to enjoy the best extra virgin olive oils. It is made of stoneware (paste fired at 1260º). The dispenser is made of steel and cork (it comes with a spare cork). It is dishwasher and microwave safe and suitable for food use. Because they are handmade, they are unique pieces, so there may be slight variations between them. Measurements: 8 x 13,5 cm (400ml) * Minimum order: 2 units. -
The ‘broken plate’ has an irregular edge as if it had been broken, hence its name. It resembles a mountain range. It is a piece with presence and duality due to the contrast between the interior and exterior finishes. It has a glossy cream interior finish and a dark matt grey exterior. A modern and unique piece with beautiful green, grey and ochre spots on the edge due to variations in the thickness of the glaze. It is ideal for everyday use or for more special occasions. It is made on a potter's wheel in stoneware fired at 1260º. It is dishwasher and microwave safe and food safe. Because they are handmade, they are unique pieces, so they may vary from one piece to another. Measurements: 25,5 x 2 cm * Minimum order: 2 units. -
This handmade ceramic bowl has an interior finish in earth tones applied with a brush, making this piece almost resemble a canvas on which to serve food. The exterior is unglazed, giving it a rougher, more natural feel. In light, warm matte tones, it is a designer ceramic piece that combines with very different colours: whites, browns, greens, blues... It is inspired by the dry fields of Malaga in summer, full of earthy tones. It is made on a stoneware wheel (body fired at 1260º). It is dishwasher and microwave safe and food safe. As they are handmade, they are unique pieces, so there will be variations between them. Measurements: 26,5 x 7 cm * Minimum order: 2 units. -
Born on the shores of the Mediterranean, this handmade ceramic bowl captures the swaying waves in its curves and the calm of the sea in its colours. Each shape echoes the swell of the waves, a shoreline frozen in time. Take a piece of the sea home with you.It is made on a stoneware wheel (clay fired at 1260º). It is dishwasher and microwave safe and suitable for food use. Because they are handmade, they are unique pieces, so they may have slight variations between them. Measurements: 24 x 7,5 cm. * Minimum order: 2 units. -
Cream coloured ceramic teapot with bamboo handle and decorated with a blue coral. It is made of stoneware and handbuildt on a potter's wheel. Fired at 1250º. If you want a teapot like this one but with other motifs, you can write to us. It is an utilitarian and decorative piece at the same time, a unique piece. Measurements: 13,5 x 20 x 13 cm. Height 23 cm. with handle (800ml).Return policy
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The chawan is a traditional Japanese bowl associated with the tea ceremony, an intimate object meant to be held between the hands. In this piece, that ancestral form is preserved, but its function is transformed. The exterior, rough and unpolished, retains the trace of recycled material and manual gesture. In contrast, the interior is entirely covered in gold, turning the space meant to contain into an inaccessible one. The bowl no longer serves: it offers itself to the gaze. This chawan thus becomes a container of time and calm—a silent object that invites contemplation and questions the value of use, of the everyday, and of what we consider essential. Features Mixed media: pinching, gilding 11,5x8cm, recycled ceramics 1125º, gold leaf (copper) -
This piece belongs to the early stages of the Renacidas project. Its rounded, slightly deformed shape retains a more spontaneous and playful character, visible in the use of polka dots as an intuitive gesture across the surface. It was first presented at the Maison & Objet fair in Paris. During that journey, the piece suffered a small damage and a crack appeared, the result of transport and handling. I chose to intervene by covering the wound with non-genuine gold leaf, a material used during this initial phase of the project. Rather than concealing the accident, the intervention integrates it into the body of the work and reinforces one of the core principles of Renacidas: to acknowledge the wound, accept it, and transform it into part of the piece’s identity. The work thus preserves the memory of its process, its journey, and the moment when the project was beginning to take shape. Features Mixed media: pinching, coils, gilding 17x15cm, recycled ceramics 1125º, gold leaf (copper) -
Treasure II is part of a series of small trays conceived as tiny containers for treasures. Each one is unique and proposes an intimate space meant to hold what we consider valuable: a small object, a memory, an amulet. In some pieces, a dried flower appears—often a thistle, collected from the landscape where I grew up—referencing simplicity, nature, and what endures. The act of treasuring thus shifts from material value to symbolic meaning. The irregular, organic edge—reminiscent of a mountain range—and the small central figure designed to hold the treasure are decorated with gold leaf. This intervention highlights the beauty of what we keep, of what is minimal and essential. Features Mixed media: slab built, acrylic, gilding 23x16x3cm, recycled ceramics 1125º, acrylic, gold leaf (23.75kt) -
Flowing Through Conversations is a bowl created using the pinch technique—an intimate process that begins with a small ball of clay and slowly expands through the gentle pressure of the fingers, from the inside outward. The form emerges organically, without a fully predetermined outcome. The piece was born during a visit to the studio. While we were talking, I allowed my hands to work freely, following the unhurried rhythm of the conversation. Shared time, words, and silences became inscribed in the material. The rim, marked by cracks and openings of varying sizes, draws a small landscape shaped by erosion and time. After the first firing, the piece was left to rest and be observed until the place where the gold leaf should appear revealed itself—highlighting its irregularities and holding the viewer’s gaze. Features Mixed media: pinching, acrylic, gilding 17x6cm, recycled ceramics 1125º, acrylic, gold leaf (23.75kt) -
Tea set decorated with different types of fungus. The pieces are made on a potter's wheel in stoneware (clay fired at 1250º), cream-coloured with handbuildt mushrooms in different shapes and colours. The set consists of a teapot with bamboo handle and four cups with plates. If you want a set like this but with other motifs, you can write to us. It is a unique tea set, decorative as well as useful. Measurements: - Teapot: 19 x 13 x 13,5 cm. Height 24 cm. with handle included (800ml). - Cup: 9,5 x 7,5 x 8cm. (210ml) - Plate 13,5 x 1 cm.Return policy
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This piece rests on a delicate balance: an open form supported by a minimal base, a thin wall that allows light to pass through, and a subtly gold-finished rim. Its presence is light yet steady, defined as much by what it reveals as by what it allows to be seen. The crack running through the piece emerged from an unforeseen accident. A small impact before firing caused an almost imperceptible fissure, which opened further during the kiln process. Rather than being corrected, this wound became part of the piece and ultimately defined it. Today, the form cannot be conceived without this opening. The crack reveals the fineness of the wall and disrupts the initial balance, incorporating chance as part of the process. The piece embraces error not as failure, but as transformation, reminding us that the unexpected also shapes identity. Features Mixed media: roll, gilding 21x25cm, recycled ceramic 1125º, gold leaf (23.75kt)
