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The chawan is a traditional Japanese bowl associated with the tea ceremony, an intimate object meant to be held between the hands. In this piece, that ancestral form is preserved, but its function is transformed. The exterior, rough and unpolished, retains the trace of recycled material and manual gesture. In contrast, the interior is entirely covered in gold, turning the space meant to contain into an inaccessible one. The bowl no longer serves: it offers itself to the gaze. This chawan thus becomes a container of time and calm—a silent object that invites contemplation and questions the value of use, of the everyday, and of what we consider essential. Features Mixed media: pinching, gilding 11,5x8cm, recycled ceramics 1125º, gold leaf (copper)

This piece belongs to the early stages of the Renacidas project. Its rounded, slightly deformed shape retains a more spontaneous and playful character, visible in the use of polka dots as an intuitive gesture across the surface. It was first presented at the Maison & Objet fair in Paris. During that journey, the piece suffered a small damage and a crack appeared, the result of transport and handling. I chose to intervene by covering the wound with non-genuine gold leaf, a material used during this initial phase of the project. Rather than concealing the accident, the intervention integrates it into the body of the work and reinforces one of the core principles of Renacidas: to acknowledge the wound, accept it, and transform it into part of the piece’s identity. The work thus preserves the memory of its process, its journey, and the moment when the project was beginning to take shape. Features Mixed media: pinching, coils, gilding 17x15cm, recycled ceramics 1125º, gold leaf (copper)

On purpouse emerges in dialogue with the piece Accidental, created simultaneously and marked by an unexpected break. In contrast, this sculpture affirms intention and conscious decision within the making process. Its simple, elongated form is built with clarity and continuity. The body rises in a contained manner, concentrating into a solid gold termination that provides weight, closure, and presence. Here, the material responds, allowing the initial idea to be sustained and carried forward without deviation. On purpouse speaks of possible control, of the will to construct, and of choice in the face of chance. A solid, silent piece defined not by accident, but by what is made with intention.

Features

Mixed media: coils, acrylic, gilding 230x46cm, recycled ceramics 1125º, acrylic, gold leaf (23.75kt)

Treasure II is part of a series of small trays conceived as tiny containers for treasures. Each one is unique and proposes an intimate space meant to hold what we consider valuable: a small object, a memory, an amulet. In some pieces, a dried flower appears—often a thistle, collected from the landscape where I grew up—referencing simplicity, nature, and what endures. The act of treasuring thus shifts from material value to symbolic meaning. The irregular, organic edge—reminiscent of a mountain range—and the small central figure designed to hold the treasure are decorated with gold leaf. This intervention highlights the beauty of what we keep, of what is minimal and essential. Features Mixed media: slab built, acrylic, gilding 23x16x3cm, recycled ceramics 1125º, acrylic, gold leaf (23.75kt)