Online store of handmade pottery and ceramics

Flowing Through Conversations is a bowl created using the pinch technique—an intimate process that begins with a small ball of clay and slowly expands through the gentle pressure of the fingers, from the inside outward. The form emerges organically, without a fully predetermined outcome. The piece was born during a visit to the studio. While we were talking, I allowed my hands to work freely, following the unhurried rhythm of the conversation. Shared time, words, and silences became inscribed in the material. The rim, marked by cracks and openings of varying sizes, draws a small landscape shaped by erosion and time. After the first firing, the piece was left to rest and be observed until the place where the gold leaf should appear revealed itself—highlighting its irregularities and holding the viewer’s gaze. Features Mixed media: pinching, acrylic, gilding 17x6cm, recycled ceramics 1125º, acrylic, gold leaf (23.75kt)

This piece belongs to the early stages of the Renacidas project. Its rounded, slightly deformed shape retains a more spontaneous and playful character, visible in the use of polka dots as an intuitive gesture across the surface. It was first presented at the Maison & Objet fair in Paris. During that journey, the piece suffered a small damage and a crack appeared, the result of transport and handling. I chose to intervene by covering the wound with non-genuine gold leaf, a material used during this initial phase of the project. Rather than concealing the accident, the intervention integrates it into the body of the work and reinforces one of the core principles of Renacidas: to acknowledge the wound, accept it, and transform it into part of the piece’s identity. The work thus preserves the memory of its process, its journey, and the moment when the project was beginning to take shape. Features Mixed media: pinching, coils, gilding 17x15cm, recycled ceramics 1125º, gold leaf (copper)

Treasure II is part of a series of small trays conceived as tiny containers for treasures. Each one is unique and proposes an intimate space meant to hold what we consider valuable: a small object, a memory, an amulet. In some pieces, a dried flower appears—often a thistle, collected from the landscape where I grew up—referencing simplicity, nature, and what endures. The act of treasuring thus shifts from material value to symbolic meaning. The irregular, organic edge—reminiscent of a mountain range—and the small central figure designed to hold the treasure are decorated with gold leaf. This intervention highlights the beauty of what we keep, of what is minimal and essential. Features Mixed media: slab built, acrylic, gilding 23x16x3cm, recycled ceramics 1125º, acrylic, gold leaf (23.75kt)